November 11, 2022
06:00 PM – 07:00 PM
In this in individual celebration, professor Annie-Paule Quinsac will present her recently-posted e book, Divisionismo Italiano. Sguardi e prospettive 1880-1920 (Massetti Rodella Editori, 2022). The work is a revisitation of her seminal thesis “La peinture divisionniste italienne. Origines et premiers développements 1880-1895“, talked about at the Sorbonne in 1968 and published in 1972.
Applying a transversal tactic, Quinsac analyses the sociopolitical, historical, and ideological context that characterized Italian divisionism, from Segantini’s Avemaria a trasbordo (1886, the very first Divisionist operate), through the Symbolism of the 1890s, and up to the Futurist revolution, underscoring the at any time-shifting interpretations of critics by way of the existing.
Artists considered: Georges Seurat, Paul Signac, Vittore Grubicy de Dragon, Giovanni Segantini, Jean François Millet, Gaetano Previati, Angelo Morbelli, Plinio Nomellini, Giuseppe Pellizza da Volpedo, Emilio Longoni, Attilio Pusterla, Carlo Fornara Ernest Meissonier, Jules Breton, Alfred Roll, Jules Adler Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla, Gino Severini (and many others merely made use of for the sake of comparison).
Professor Quinsac will be in discussion with CIMA Fellow Eduardo De Maio.
Copies of the e book will be available for order.
General Admission: $10 Users and Learners: Totally free
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Annie-Paule Quinsac is Professor Emerita at College of South Carolina and an artwork critic. She obtained her Ph.D. from the Sorbonne, and taught the historical past of 19th-century artwork for 25 a long time. She is a top scholar on the oeuvre of Giovanni Segantini, acquiring revealed a catalogue raisonné of the artist (Electa, 1982, 2014-15) and a important edition of his correspondence (Cattaneo Editore, 1985). She has curated lots of exhibitions, both equally in Italy and overseas, like Segantini. Il ritorno a Milano (Palazzo Reale, Milan 2014-15)
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