Concrete is an unlikely home to an ecosystem of plants

Concrete is an unlikely home to an ecosystem of plants

Jamie North develops his residing sculptural sorts around the distinction involving character and field, progress and decay, development and collapse, in Portal 2022 (illustrated), two round concrete columns composed of forged concrete with aggregates of industrial stays open up up to an emergent tree habitat, providing an not likely house to a variety of plant species indigenous to Brisbane. In their crevices and cavities, an ecosystem of indigenous crops seems, gradually and from the odds, to be using maintain. See North’s get the job done mature and evolve in the exhibition ‘Air’ at present at the Gallery of Modern-day Art in Brisbane.

Air | Timed tickets on sale
GOMA, right up until 23 April 2023

Check out: Jamie North reflects on ‘Portal’ at?v=G6cbF9xJ8QE

In excess of time, the all-natural and person-produced things of the sculptures turn out to be entwined as the vegetation look for out organic development strains and take a look at their partly eroded, write-up-industrial surroundings. Towards the monumentality and rigid geometries of the concrete columns, the gradual, encroaching advancement of the indigenous crops performs a tentative re-greening. Creeping vines and lithophytes (vegetation that improve on rock) climb the towering constructions, supplying times of lush progress cradled by the cracked and crumbling forms. It creates what North refers to as ‘a living sculptural system’, one which, when tended with drinking water and light, evolves continuously and in unplanned methods around the duration of the exhibition.1

Jamie North ‘Portal’

Jamie North, Australia b.1971 / Installation look at of Portal 2022, ‘Air’ GOMA 2022 / Cement, ash, slag, expanded clay, graphite, organic and natural make a difference and crops native to Queensland / Two columns: 290.9 x 60cm (each and every), furthermore plants / Courtesy: Jamie North and The Renshaws, Brisbane / © Jamie North/Copyright Agency / Photograph: M Campbell © QAGOMA

The regular existence of plant make a difference in North’s function is the consequence of a childhood affinity with the organic world, a marriage that the artist describes as ‘communicative’: ‘From an early age I have noticed crops in an intense way, and my childhood memories are crammed with extremely precise thoughts all over them’.2 In bringing natural and organic and inorganic elements jointly in a prosperous, unpredictable dialogue, North has commented on how his ‘redemptive re-use of the squander produced by human activity sits together with that most definitive of regeneration procedures: the succession of nature’.3 North also attracts on a third element — the viewer — who he invitations into a symbiotic marriage with the function.

As we interact with the plant existence embedded in the twin sculptures, we participate in the reciprocal exchange of gases (oxygen and carbon dioxide) that is the singular, sustaining aspect of our interdependent romance with the pure earth.

1 Jamie North, artist proposal for Portal 2022, QAGOMA Curatorial information, p.2.
2 Jamie North, quoted in Serena Bentley, ‘Jamie North Rock Soften 2015’, Nationwide Gallery of Victoria, 18 March 2015, , seen May perhaps 2022.
3 North, artist proposal, p.52.

Edited extract from the accompanying exhibition publication Air obtainable at the QAGOMA Retailer and on the internet.

Jamie North, Australia b.1971 / The Infiltrators (Wattle Road, Ultimo) 2009 / Giclée print on archival silver rag paper / 42.27 x 28.18cm / Courtesy: Jamie North and The Renshaws, Brisbane / © Jamie North/Copyright Agency

Air’ / Gallery of Contemporary Art, Gallery 1.1 (The Fairfax Gallery), Gallery 1.2 & Gallery 1.3 (Eric and Marion Taylor Gallery) / 26 November 2022 to 23 April 2023