Tim Rawlinson glass artwork exploits the refractive and reflective characteristics of glass. Tim is fascinated by these traits and exploits transparency in his glass art. His incredible designs characteristic minimize and polished sculptural pieces that focus on the conversation in between mild and glass. Stunning optical outcomes are established by distorting both equally color and type to rework and improve their surroundings.
Local Boy Made Great!
Tim Rawlinson was born in Bristol, Somerset in 1985. He commenced his job by to begin with learning architecture at Brighton College. He then went on to analyze glass at Buckinghamshire New College. Just after graduating from there in 2011, Tim rapidly produced a identify for himself. In that yr, Tim exhibited his diploma function at New Designers in London the place he met Peter Layton, of London Glassblowing fame. Peter knew instantaneously that Tim was a single to look at, and quickly invited him to do some perform expertise at his London studio. That working experience led to Tim getting a member of the London Glassblowing group and in which he stays as a resident artist to this day. That encounter led to Tim starting to be a member of the London Glassblowing group and the place he stays as a resident artist to this day.
“A single of the wonderful issues about performing at London Glassblowing is the possibility to function with a entire host of incredibly expert and proficient glass artists. In distinct, I have figured out so substantially from Louis Thompson and Layne Rowe, who have served me realise my styles on a considerably larger scale”.
The Glass Art Earning Course of action
There are two primary strategies that Tim Rawlinson glass art are built. When he is burning the glass, it is a continual course of action. He are unable to step absent from the warm glass i.e. as soon as he’s began he is bound to finish that piece. Once it is cold, even so, he can deliberate for as extended as he needs. There is lots of time to “play” with it, to minimize and shape and polish. It’s a lengthy and painstaking process that necessitates unbelievable glassmaking capabilities and artistry, but as we can see the success are absolutely nothing quick of impressive!
Vital Acclaim and Awards
Tim Rawlinson Glass has showcased in quite a few prestigious exhibitions and attained good acclaim. His 2018 solo display at the London Glassblowing Gallery, Kumano Kudo, was a business and crucial achievements. He was also involved in Europe’s most prestigious exhibitions the Coburg Prize for Contemporary Glass in 2014 and the Intercontinental Glass Prize at the GlazenHuis in 2015.
Producing Kumano Kodo
Tim frequented Japan for a thirty day period-long vacation a few of many years back. There he used 4 days on historical pilgrimage where by he noticed and explored historic Japanese architecture. He was notably taken with the Japanese stone lanterns (tōrō ) that dotted the trail and reinterpreted these in glass.
Another major piece of inspiration arrived from the Japanese zen gardens. These influenced his is effective based mostly on constellations. Tim has generally been intrigued with how humanity finds purchase and sort in issues as random as star alignments, or how persons see designs, animals and faces in clouds for instance.
In accordance to Tim, imagination derives from practical experience, and this show relates instantly to the travels he’s taken, it’s about the investigation and a very private engagement with his operate. The scale of the glasswork is also quite important.
“Acquiring form in chaos is a fundamental characteristic of human imagination and that capability is the heartbeat of this exhibit,” says Tim.
Tim Rawlinson Glass Art Pushing The Boundaries
Tim has also worked at Deveraux and Huskie’s for 4 many years. This collaboration has enabled them to accomplish types in glass that have pushed the medium to its limits.
“The optical good quality of glass signifies you have static movement. There is practically nothing set within just them. As you transfer so do the shapes and shadows some thing will be diverse dependent on your angle of watch. The fluidity and motion are what intrigues me. At a sure position in time, what 1 sees is frozen and the interior gets like a painting,” states Tim.
It is crystal clear from the way he speaks as very well as from the artwork alone that Tim is passionate about the way gentle functions with glass. How it excites the glass and transforms it, altering the mood of the piece relying on the lights.
In simple fact, he purposely puts light-weight in the title of his artwork as it is these kinds of a crucial variable. As the mild changes so do the dynamics of the piece and the projections of gentle that it gives out. That result is at any time-switching through the working day, or if the piece is in movement like some of the kinetic sculptures he has created. What you see are the most superb breadths of shadow that continuously circulation in and out of just about every other. This is one thing Tim finds to be as crucial as the piece alone.
Tim at Function, Producing ‘Vortex’
A Ultimate Word…….
It is no exaggeration to say that Tim Rawlinson glass artwork sculptures are objects of wonder and contemplation. They are an creative response to a culture that moves at an alarmingly rapid pace and needs prompt methods. Tim’s parts aim to enrich our mental and spiritual will need to slow down and expertise what is going on in. “Amen” to that we say!
