SpY Creates Field of Rustling “Barrier Tape” in Amsterdam

SpY Creates Field of Rustling “Barrier Tape” in Amsterdam

SpY Creates Field of Rustling “Barrier Tape” in Amsterdam
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Deconstruct. Decontextualize. Text that artists like to use when describing the approaches and intellectual positioning of their performs.

In this article we find SpY executing a large amount of both.

SpY. “Barrier Tape”. Amsterdam, The Netherlands. 2022. (photo © Ruben P. Bescos)

First, he pulls the humble barrier tape away from its primary context – which is to offer a visible warning to continue to be absent from a possibly risky area. Then he deconstructs the actual roll of tape, turning it from extensive ongoing spans of pink and white into a type of fringe discipline hanging from cables just higher than your head.

SpY. “Barrier Tape”. Amsterdam, The Netherlands. 2022. (image © Ruben P. Bescos)

With the addition of waterfront breezes and your mild dances beneath, this set up of “Barrier Tape” in Amsterdam, The Netherlands, is a fully interactive kinetic and sound sculpture. The 1,600-meter set up is drawing a lot of attention to this locale simply because it is vivid and tends to make a rustling sound reminding you probably of leaves. It also brandishes a perception of emergency or risk, but you’re not guaranteed why.

SpY. “Barrier Tape”. Amsterdam, The Netherlands. 2022. (photo © Ruben P. Bescos)

“Inside the piece, the repeated ingredient normally takes the viewer into a transitory point out of disorientation,” suggests the artist Spy.

“The parts of tape swing in unison with the wind, producing a wave-like movement through the composition and building an intense, random soundscape.”


SpY would like to thank “r1” for his inspiration and guidance.

SpY. “Barrier Tape”. Amsterdam, The Netherlands. 2022. (photo © Ruben P. Bescos)
SpY. “Barrier Tape”. Amsterdam, The Netherlands. 2022. (photo © Ruben P. Bescos)
SpY. “Barrier Tape”. Amsterdam, The Netherlands. 2022. (picture © Ruben P. Bescos)
SpY. “Barrier Tape”. Amsterdam, The Netherlands. 2022. (photograph © Ruben P. Bescos)

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