Review of Jackson’s Curated Sets: Vegan Watercolour

Review of Jackson’s Curated Sets: Vegan Watercolour

Botanical painter and watercolour tutor Sandrine Maugy exams Jackson’s Curated Established for Vegan Watercolour.


Sandrine Maugy Tests Jackson’s Curated Sets: Vegan Watercolour

Very first I have to say that I was thrilled for Jackson’s to curate a vegan watercolour set. Discovering details on artwork components and no matter if or not they are genuinely vegan can be tricky. In this article Jackson’s did that function for us, and we can open up the box and use the resources with self esteem and peace of thoughts.

The set consists of:

  • Jackson’s Kite Synthetic Kolinsky Brush Spherical No. 1
  • Jackson’s: Icon: Synthetic Sable: Watercolour Brush Quill No.
  • Stonehenge Aqua Watercolour Paper Block, 140 lb/300 gsm, 7 x 10 in, Cold Pressed/Not
  • Etchr Mini Palette 19 wells
  • Daniel Smith Watercolour Paint 5 ml Set of 12 Jackson’s Choice Colours: Hansa Yellow Mild, Pyrrole Orange, Alizarin Crimson, Rose of Ultramarine, Phthalo Blue Eco-friendly Shade, Undersea Inexperienced, Raw Umber, Neutral Tint, New Gamboge, Ultramarine Blue, Deep Scarlet, Cascade Inexperienced
  • Jackson’s Paper Guidebook

The box by itself appears to be like understated and stylish: a black box with ‘Jackson’s’ embossed on the lid. Within, wrapped and safeguarded in monochrome tissue paper, I located the following: A Stonehenge Aqua Watercolour Cold Pressed Paper Block 300 gsm, a tin Daniel Smith Watercolour Paint 5 ml Established of 12 Jackson’s Variety Colours, a round tin made up of a two-tier Porcelain Palette by Etchr and two Jackson’s Watercolour Brushes: Jackson’s: Icon: Artificial Sable: Watercolour Brush Quill and Jackson’s Kite Artificial Kolinsky Brush. This is everything you need to have to commence painting proper absent.


Shop Jackson’s Curated Sets: Vegan Watercolour


The greatest way to exam art products is to paint a photo. But first, I want to paint a colour chart, as I am not common with all the colours in the set. The twelve colors slide into three classes: The types I know now, use regularly, and have confidence in the one I know already and wouldn’t use the kinds I did not know just before this evaluate and am eager to test.

In the very first class we have Hansa Yellow Gentle (green bias yellow that has a safe place in my paintbox), Pyrrol Orange (one-pigment purple bias orange), Rose of Ultramarine (fascinating granulating purple that separates on the paper), Ultramarine Blue (lovely violet bias blue), Phthalo Blue (Environmentally friendly Shade) (saturated environmentally friendly bias blue) and Raw Umber (reputable primary brown that can be altered with other colours to build a whole assortment of neutral colors). The color I know and would not use is Alizarin Crimson: this is the first Alizarin, a fugitive pigment that could effortlessly be replaced with a a lot more lightfast choice, these types of as Carmine. The third and most remarkable category for me consists of the colors I have hardly ever used prior to: New Gamboge, Deep Scarlet, Cascade Green, Undersea Environmentally friendly and Neutral Tint. The color chart is painted on the Stonehenge Paper, applying the brushes furnished in the established, in get to get a truly feel for the supplies right before launching into a full-blown painting.



My initially feelings about the colour variety is that it is made up of some intriguing, textured paints but lacks a vibrant key crimson and a pink. That could be the botanical artist in me: I can’t paint with no a pink. It could possibly not be so vital for a landscape painter. It is also true of the greens. Both equally are greatly textured and I would need to have a smoother, extra saturated eco-friendly, which is simply blended from the two yellows and two blues contained in the established. Pink having said that, cannot be combined. My advice would be Daniel Smith Quinacridone Pink, a single pigment, saturated, non-granulating and lightfast pink.



Now let us paint a little something. I am keen to check out the colors I am not familiar with, so an autumn leaf with yellow, pink and green is a perfect matter. The 1st wash is painted soaked-on-moist, covering the leaf with pure water and then incorporating In Hansa Yellow Gentle all in excess of. Although this is even now soaked, I drop in some New Gamboge and Cascade Inexperienced in different locations, right before floating in some Deep Scarlet in the reddest areas. All the colours are merging on the paper seamlessly. The quill brush carries a excellent total of paint and tapers to a perfect issue. The Stonehenge Paper is relishing the soaked get the job done, being moist long adequate for me to include all the colours.

The second wash is painted in the similar way, to improve the colours. The brush is tender plenty of and the paper absorbent sufficient that the initially wash does not raise when I use the 2nd a person. I constantly work in levels, so these qualities are crucial for my method to operate.



Immediately after this 2nd clean has dried, the colors are intense ample to get started creating up some details with a dry brush. I am switching to the scaled-down Kite brush, which has a very good spring and a good stage. The total method works wonderfully, whilst potentially I would have liked a brighter red for the blush on the leaf.



I am intrigued by the Neutral Tint paint, as I hardly ever use black pigments in my work. I also would like to exam the paper and brushes with more substantial washes, to see how they fare with a big total of h2o. For this I am portray a landscape for which I have to have to soaked the entire webpage at the moment. This is one of my favourite views in the world: sitting down on the seaside on the Abbey grounds in Fort Augustus, hunting over Loch Ness to the North in the direction of Inverness. On a misty winter season working day the whole landscape is monochrome, best for a Neutral Tint trial.



Initial I paint the sky and sea with a pretty diluted wash additional wet-on-soaked. Then occur the furthest mountains, painted while the sky is even now damp. I add each and every layer of mountains, working my way towards the foreground, with a fewer diluted wash every single time. The trees are included on dry paper, with an intense, less watery model of the very same Neutral Tint. The paper takes the drenching gracefully, with no indication of buckling. The quill brush carries sufficient drinking water and pigment to make it possible for me to perform quickly, in advance of the drinking water has a possibility to dry. When diluted, Neutral Tint washes effortlessly in a real neutral color, with just the slightest blue undertone. It seems to be astonishingly luminous and clean up for a black pigment. When made use of undiluted, it handles like ink. Most likely I require to review my stern position against black pigments.



In summary I would say that this is a very very good set and I have no hesitation in recommending it. The Daniel Smith paints are superb excellent, whilst for me there is a absence of pink and vibrant pink in the selection. This would quickly be remedied by obtaining a Quinacridone Pink and Pyrrol Purple.

The Stonehenge paper is resistant to buckling and managed each soaked and dry operate superbly. The Jackson’s synthetic brushes carried out quite properly and the very little Etchr palette is small adequate to be light-weight but gave me adequate mixing room for the scale of the paper block.


Observe Sandrine’s Review: at?v=JptZeIP0elI


About Sandrine Maugy

Sandrine Maugy is a member of the Culture of Botanical Artists, the Affiliation of Illustrators, and the French Society of Botanical Illustration. She was awarded a Silver Medal by the Royal Horticultural Society. Her do the job hangs in collections in Europe, Australia, and the United States. Sandrine teaches household classes at the renowned West Dean Higher education, and operates an artwork blog, and YouTube and Patreon portray channels, with pupils from all over the world. Her portray fashion captures the pure, vivid colors of nature and is infused with extraordinary light-weight, offering this traditional model a contemporary twist.

Stop by Sandrine’s internet site

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Additional Looking at

Botanical Painters Share Their Feelings on Stonehenge Aqua Hotpress

The Vegan Watercolourist: Sandrine Maugy

Vegan Artwork Provides

A Guideline to Watercolour Portray


Shop Jackson’s Curated Sets: Vegan Watercolour on


Go through additional evaluations of Jackson’s Curated Sets


Clare McNamara

As Blog Editor, Clare oversees written content for the blog site, manages the publishing routine and contributes routinely with attributes, critiques and interviews. With a background in wonderful arts, her methods are illustration, graphic design and style, video clip and tunes.