Journal of the Plague Years

Journal of the Plague Years

In March, 2020, I despatched out a letter to clientele and colleagues rather of putting up my normal month-to-month blog.  Covid was commencing to make itself felt on a critical scale.  The state was entering uncharted territory, at the very least for non-centenarians.  In my letter, I provided an graphic of Emmanuel Leutze’s Washington Crossing the Delaware and termed for bravery in unsure times.  It appeared trivial to converse about art in a interval wherever so quite a few were dying, but I hoped that a heal for the disease would be discovered somewhat quickly and that factors could get back to standard.

The pandemic soon impacted the ranks of my colleagues.  In April, 2020, John Driscoll and William Gerdts, both noted scholars (and in John’s case, a significant supplier as very well) died of Covid.  There was no vaccine nevertheless, and the art marketplace experienced long gone into lockdown with the common financial system.  Auctions were postponed, and galleries were closed.  How would the artwork small business survive?

And nonetheless it did.  More than that, it thrived.  Requirement is the mom of creation, as the saying goes, and the artworld has had to adapt just before.  In the depths of the recession of the early 1990’s, a smaller team of sellers, unable to afford to pay for general public galleries with a regular plan of exhibits, rented rooms on a single floor of a Manhattan hotel for a weekend and shown art for sale on prime of dressers and leaning on headboards.  From that modest beginning, The Armory Present, a single of New York’s main artwork fairs, evolved.

In the similar manner, sellers and auction properties around the previous two several years have upped their digital video games appreciably, taking their artwork to collectors through a range of platforms.  Collectors, too, have modified their practices, showing a willingness to buy exclusively on the basis of digital photographs in a way that I would in no way have foreseen.  Even if the Corona virus miraculously disappeared tomorrow, the digital gallery would even now be an significant aspect of the sector.

Alas, the virus is not likely away.  A month ago, immediately after the smashing accomplishment of Miami Basel and its satellite art fairs, the buzz was back.  Individuals had been hungry to encounter artwork in the business of other individuals, and Covid protocols experienced returned us to a little something approaching normalcy.  Spoken also shortly – the Omicron variant showed up, and we’re still left asking yourself what booster pictures we’ll require for the variants that need to shortly outpace the Greek alphabet.

Journal of the Plague Years

Still the require for attractiveness persists, even in the most horrendous situations, maybe particularly in horrendous times.  And the technique that fills that want – artists, dealers, curators, art writers – continues to endure, often exploding into exuberant gardens, often running only an occasional blossom in a stony landscape.  But it goes on.  To adapt an outdated expressing, wherever there is everyday living, there is artwork.  Here’s hoping you get your share.  If I can aid, allow me know.