Jeremy Olson: This Time Of Monsters

Jeremy Olson: This Time Of Monsters

Jeremy Olson: This Time Of Monsters
Opening October 19, 2022
Device London
3 Hanover Square
W1S 1Hd

Unit London is enthusiastic to present this time of monsters, a solo display from Brooklyn-dependent artist Jeremy Olson, opening October 19, 2022. The exhibition debuts a overall body of function encompassing large-scale portray, 3D-printed sculpture, and mixed media items putting his signature solid of otherworldly, sci-fi-influenced creatures into futuristic scenes. Referencing a vaguely 60’s Modernist aesthetic, Olson’s remarkably rendered scenes are nostalgic for a upcoming that no more time exists in the collective creativity.

Jeremy Olson - language of flowers 2022
Language of flowers 2022

this time of monsters draws its title from Italian philosopher Antonio Gramsci’s reflections on an historic Roman time period, interregnum, which signifies a interval of extensive transition involving historic levels. Olson’s earth and its anthropomorphic monsters dwell on the precipice of imminent disaster. Even so, inspite of the apocalyptic scenes of disaster and collapse all over them, the artist injects some humor.

Jeremy Olson the future of work 2022 17x9.5x8
The long term of work 2022 17×9.5×8

These monsters are introspective, puzzled, and quite human-like. They check out their cellphones, lounge all around reading through, engage in, bash, and entertain. The largest of the paintings, index of refractions, depicts a monster absorbed in its electronic product, leaning towards a a lot more substantial dragon-like creature blissfully sleeping. A form of generator pumps thick blue plumes of smoke into the air, enveloping the forest in fog and it is unclear no matter whether this is an industrial pollutant or an environmental salve. The title references the habits of light when passing through various substances, a reflection in a pond, the disappearance of the forest into fog, and the infinite mirroring loop of the online.

Jeremy Olson: and never went outside again 2022 36x30
and in no way went exterior again 2022 36×30

Olson’s intricately detailed, 3D-printed sculptures carry his cast of figures closer to fact, a gigantic lizard-like character with a baby, reclines in a decimated sporting activities arena inspecting the carriage of a destroyed monorail. Olson plays with standpoint, checking out the subjectivity of the monster, reconciling it with the human, and connecting its observations and its maternal marriage.

Scaled-down sculptures playfully conflate the monstrous and the human, a rollercoaster sprouts from a reptilian foot and a children’s slide grows from a clawed hand. Olson’s creatures emerge from a lifelong adore of cinema, science fiction, and horror. Frightening flicks, from Godzilla movies to David Cronenberg’s entire body horror, explored the monster’s this means as metaphorical, socio-political, or psychoanalytical. Right here, the idea of a monster is an emblem of upheaval and enormous change, yet the artist’s references to leisure and enjoy express a trace at rebirth and setting up.

©2022 Jeremy Olson, Device London