Changing the skyline – KALTBLUT Magazine

Changing the skyline – KALTBLUT Magazine

We are delighted to present a new continuation of the digital capsule story created by designer Olena Dats’ with a help of modern day technologies. Images by Dmytro Komissarenko. The product are Olena Dats and Evgeniy Yovenko!

3D printed factors are fragments of Ukrainian embroidery, which is an unique talisman and some variety of conceptual complement skillfully woven into the idea of every dress by Olena Dats’ brand.
Strong things of Ukrainian symbols exist in our DNA, they reside and develop out of our skin.  Corsets in the form of a woman’s breast had been scanned from the designer’s figure, printed on a 3D printer and decorated with additional components – a peculiar reaction to the prehistoric moments of matriarchy and the cult of the ancient Goddess.  When the wild tribes returned “to the smoke” – “to the home”, to the family fireplace, being guarded by the woman Beregynya – the Goddess, who was at some point reworked into a God. Now regrettably, families are divided, but they have still left their soul particles in every other.

Flashback:

“I take into consideration Oct 2008 to be my most important year. As it is the yr when Olena Dats’ manufacturer and Olena Dats’ Gallery were being established.
Soon after being proposed by Ukrainian Manner 7 days, I premiered my Summer time 2008 assortment in the showroom through Paris Trend 7 days.  I have usually been passionate about new technologies in clothes and fabric design and style.  For that collection, I had picked out a small ingredient of Ukrainian embroidery, out of which a new big contemporary collection was born.  In 2008 we utilized it for the initially time to produce a material print design and because then it has been a sort of talisman.  In the subsequent collections, the component became a component of the tag which can be identified on each stitching label of our garments – a type of guardian angel for our clients.

Considering the fact that 2008, this factor has advanced into a extremely successful 1! Ultimately, in 2021 we experienced it 3D-printed in three proportions.  The selection was offered in the Ukrainian pavilion at EXPO Dubai 2022.  In 2022, we went even further more and the aspect is now virtual.

Everybody can check out on the blue and yellow dress at Dressex.com.  This virtual amulet was introduced in May well 2022 all through the Cannes Film Pageant in the DPA Cannes reward showroom at the JW Marriott Resort.

The dresses developed by the designer look like imaginative sculptures.  They carry new meaning to the place within which they seem. They are representations of people who know how to adapt to the turbulence of the present day world and have the braveness to outline their possess horizons.
Each and every decision is an chance to advance to a further stage and welcome the changes we aspiration of in our life.  3D printing is a time-analyzed environmental technology that has allowed me to prolong the boundaries of area and standard strategies of planning and developing clothes in my new collection.
I have constantly been interested in the spatial affect of form, the influence it generates and how the situation influences behaviour, the atmosphere and potentially even our future.

While functioning on this collection, I seasoned the magical and mystical instant again, as sculptural dimensional figures emerged from the surface of the woven canvas.  The time when you produce a subtle framework, without having which used artwork is merely unattainable, is perhaps one particular of the most treasured activities a single can have as an artist.


The picked technological innovation has supplied me a selected independence.  Just after all, fantasy has no limitations, though it normally encounters obstructions dictated by all those who help realise the artist’s visions.  We have previously seen that the virtual environment is countless.  On the other hand the tactile sensations stay primary for me, I have enjoyed discovering and adding new twists to them.  Most of my dresses, as if they experienced been ripped off the ground, absence gravity.  The materials are volatile and leave lots of room for remaining all-natural.  It is the dynamics that become the basis of the partnership concerning the components of the dress.
PS.  “The mimicry of creativeness in neural networks is defeated ideal the place the artists have extra themselves” – Maria Sharlai.

Designer: Olena Dats’ @olena_dats_official
Photographer: Dmytro Komissarenko @dmytrokomissarenko
Versions: Olena Dats’ @olenadats, Evgeniy Yovenko @liakaniy_