All About Equestrian statue of Bartolomeo Colleoni by Andrea del Verrocchio

All About Equestrian statue of Bartolomeo Colleoni by Andrea del Verrocchio

All About Equestrian statue of Bartolomeo Colleoni by Andrea del Verrocchio

Title of Artwork: “Equestrian statue of Bartolomeo Colleoni”

All About Equestrian statue of Bartolomeo Colleoni by Andrea del Verrocchio

Artwork by Andrea del Verrocchio

Yr Designed 1480 – 1488

Summary of Equestrian statue of Bartolomeo Colleoni

In Campo Santi Giovanni e Paolo, Venice, Italy, you could see Andrea del Verrocchio’s Equestrian statue of Bartolomeo Colleoni (established amongst 1480 and 88). Excluding the pedestal, the statue of condottiero Bartolomeo Colleoni (who served for a prolonged time below the Republic of Venice) stands at 395 cm tall.

After Donatello’s Gattamelata statue, which also functions a rider on a horse, this is the most famed equestrian sculpture to appear out of Italy all through the Renaissance (1453).

All About Equestrian statue of Bartolomeo Colleoni

Condottiero Colleoni, a previous Captain Normal of the Republic of Venice, passed away in 1475 and donated a sizeable portion of his estate to the Republic of Venice on the ailment that a statue of himself be commissioned and installed in the Piazza San Marco.

The Republic proclaimed its acceptance of the gift in 1479, expressing that the statue would be shown at the plaza in front of the Scuola of San Marco since sculptures had been forbidden in the Piazza. A sculptor was selected by way of an open up competition.

There had been three sculptors vying for the commission: Verrocchio of Florence, Alessandro Leopardi of Venice, and Bartolomeo Vellano of Padua. Verrocchio’s product was built of wooden, when the others’ had been made of wax and terracotta. Verrocchio was specified the fee soon after seeing an exhibition of the three products in Venice in 1483.

Subsequent, he established up shop in Venice, where by he established the final wax product that was eventually all set to be forged in bronze. Even so, he handed absent in 1488, in advance of the casting could be completed.

Whilst he had originally requested that his student Lorenzo di Credi—who was in cost of his Florence workshop at the time—complete the statue, the Venetian point out in the long run commissioned Alessandro Leopardi to do so, and Leopardi also established the pedestal on which the statue now rests in the Campo SS. Giovanni e Paolo.

The sculpture was motivated by a quantity of functions, like Donatello’s statue of Gattamelata, the St. Mark’s Horses in Venice, the Regisole (a late antiquity operate in Pavia, now misplaced), the Funerary Monument to Sir John Hawkwood by Paolo Uccello, and the Equestrian Monument to Niccol da Tolentino by Andrea del Castagno.

The primary challenge he confronted was one particular of statics: if he were to depict the horse in movement with a elevated leg, the bronze would topple more than from the excess weight of its possess momentum, as it would be supported by only a few fairly thin legs.

Donatello experienced uncovered a partial solution to this in his monument at Padua by resting the lifted leg on a sphere. In the starting, Verrocchio was the 1 who figured out how to make a horse stand on three legs.

Artwork historian Passavent praised how fantastic it appears in its recent area, noting that “the outstanding sense of movement in this figure is shown to fantastic advantage in its present location” and that as sculpture “it much surpasses just about anything the century experienced but aspired to or considered doable.”

This is irrespective of the point that it was not positioned wherever Colleoni experienced supposed. He argues that the human and the horse are both superb in their individual ideal and that they sort an integral factor of the sculpture as a whole.

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